"Every time I hear sounds, I see pictures. Then, I start getting ideas. It just drives me crazy." - David Lynch
"Every time I hear sounds, I see pictures. Then, I start getting ideas. It just drives me crazy." - David Lynch
Exploring UE5's MetaSounds capabilities for music, combining synth voices and wav player modules triggering drum samples to create a random procedural patch to be used in a game context. I manipulate a Performance FX mixer with inputs affecting filters, LFOs, and volume which could be further explored and connected to gameplay interactions using Blueprints.
Exploring a designed music system for an imaginary game inside Wwise. Trialing music theme transitions, music stingers/transition segments, a dynamic combat system, and different game/AI states that would be present in an open-world game environment. Using the interactive music hierarchy, as well as a Soundcaster Session to trigger changes to the music live.
Using music from a commercial library for demonstration/educational purposes - I have edited the stems into new themes that represent game states and have brought these loops into a Wwise music system.
A live redesign for my 4th year soundscape class at Humber College. I performed all of the sounds live with my MicroKorg, and Korg R3 running into my Roland SP404-SX Sampler, then finally through my Line 6 DL4 Delay Modeler. Added footsteps and final mix adjustments in post.
FYI - the missing dialogue:
TRON
Where's Flynn?
YORI
He's gone. He went into the beam.
He saved you. He saved all of us.
A man contemplates his existence and his symbiotic relationship with nature.
The Cosmic Freeze is a short film accompanied by an album of music called "Sounds of the Cosmic Freeze" which can be found at andillusion.bandcamp.com/releases
SPOOKY Isles here for Halloween I wanted to take an old Horror SFX record from the BBC and run it into pedals as a mad experiment. Scary sound design, atmospheres and monsters are summoned as the sfx of the past are reborn, undead.
Sound Effects No.13 - Death And Horror (1977) running into the Chase Bliss Audio MOOD into the ZOIA for more effects processing.