Designed SFX for in-game: object interactions, checkpoint racing SFX, world propaganda binks, music selection and implementation for races and the cockfighting mini-game. Assisted with the editing and implementation of the open world music system. Edited the composer's compositions for various levels of combat, stealth, exploration and scripted mission moments. Edited music and transitions for several missions, in-world music sources like radios, loading screens and completion stingers.

Assisted the Ubisoft Bucharest audio team remotely for about a year’s time, helping design sounds for a new Ghost Recon. My mandate was to support the small audio team on vehicles and ambience. I helped redesign the deployment helicopter, all vehicles, and the main menu soundscape. I executed a polished menu flow of smooth transitions and sounds when navigating between tabs alongside the main menu music within a soundcaster session.

I was the sole Audio Tester on Starlink: Battle for Atlas where I examined the audio systems and overall sound quality across all platforms using Wwise as well as the Snowdrop engine. Working on a small audio team I took on audio tasks throughout development, creating unique sounds for the game, implementing and finally testing them in build. My notable contribution to Starlink was designing the ship engine SFX for Star Fox's Arwing on the Nintendo Switch version.